The Interview: Natasha Phillips

A lovelorn Natasha Phillips blows a kiss to her reptilian paramour.

Quirky with a ironic, almost nonsensical sense of humor, Natasha Phillips (@SobukiRa on Twitter) defies labels.  One minute she’s blogging about international custody disputes, satirizing pop culture with her imaginary friends InkyBuki and Cranial Gerbil the next.  But the aspiring writer is no scatter brain.  With an impressive career as a researcher for a UK advocacy firm and a barrister in her own right, Natasha can hold forth as eloquently as any peer–male or female.  Future critics, take note.

Hennen’s John Winn caught up with Ms. Phillips via email and chatted about life in Europe, the origin of InkyBuki–and her forbidden love for a certain star crossed rodent.

JB:  You hail from London.  What’s different about writing there versus the States or Continental Europe?  Is it less dreary or are people there just numb?

NP: To my mind being in different places offers opportunities to observe the human condition in its many different forms; it’s a real privilege to be able to write and reflect in different environments. Londoners are generally bloody miserable so there’s definitely plenty of scope to explore the stagnation of our species there.

I was lucky enough to visit the States growing up as I have lots of relatives there and really enjoy travelling to San Francisco when I can. I have a romantic view of it though; in reality, it’s changed a lot since I was little and like London it’s become less unpredictable.

The Continent though, despite or perhaps because of its economic troubles holds a great deal of immediate colour in relation to the human condition which is readily visible still in day to day life. There is still warmth that you can tap into in most places; a humanity that still prevails.

But perhaps it’s really a question of degree; I think if you look hard enough in London or Las Vegas, you can still see pain and pleasure in all its complexity beating beneath the surface: it just depends how deep you’re willing to go. And whether or not you can source a really big monocle.

JW:  Who is InkyBuki, and why is she so mysterious?

NP: InkyBuki is the inky version of Sobuki Ra, who is a crocodile living in a bayou (the coordinates of which are top secret) and can be found most days swimming in the Twitter and Google + streams, terrorising other social media users and hatching mischievous plans with her best friends Ludvig, the Goblin Shark and Cranial Gerbil, a gerbil. I believe she is the only crocodile to date with opposable thumbs, which goes some way to explaining why she has taken up the art of writing and why she is perhaps a little mysterious about it.

JW: What’s with the gerbil obsession?  Is there something you need to share with the rest of the class?

NB: Cranial Gerbil is no ordinary rodent. The little pink plastic ball he lives in is all that stands between him and world domination. We are star crossed lovers. It’s very sad.

JW:  You’re also an advocate of family law reform in the UK.  Do you ever get weird emails or photos of people dressed like Batman?

Frequently, but I rather like Superheroes and action figures, so I tend to invite them all to the work meetings I help organise. Sometimes, if I’m very well behaved, they share their Trebor XXX mints with me.

JW:  Final Question: Dickens or Tolstoy–who is the most depressing writer?

NP: If one is more depressing than the other, it must be only be by a whisky.

 

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